If we are to recreate the meaning of consistency through the human experience of CIC and his music journey, it would be appropriate to define consistency as staying true to oneself even when misunderstood by a moving train of minds engulfed in identity crises. Those who chase trends to be accepted often seek validation, but that has never been the case for the Commander-in-Chief. When you are in control and fully aware of who you are, you don’t bow to external forces.
Consistency, in CIC’s view, is mastering the art of time management, using it to your advantage until it transforms into supernatural grace. It is the awareness that time does not exist, and songs that become timeless hits propel you into a dimension where relevance becomes perpetual. Regardless of who sees him as a rival or competition, CIC remains unbothered. Haven’t you noticed that in every era of the Liberian music industry, CIC has always been in his prime? Have we ever witnessed a time when CIC was not a force to reckon with? Will we ever?
Five awards in one night at the MLMA cemented CIC’s dominance:
- Song of the Year – Congratulations
- Afro Pop Artist of the Year – CIC
- Afro Pop Song of the Year – Congratulations
- Video of the Year – Congratulations
- Artist of the Year – CIC
He achieved this feat without belittling other artists or creating fake hype to stay in the news. CIC didn’t rush the release of his songs out of fear that another artist would take over. Instead, he remained authentic, safeguarding the true image of the Liberian boy with the creation of the Koloqua sound, Kolopop, which he masterminded. As a king, you don’t fight for a crown—it is always on your head.
We saw his dominance during his U.S. tour. The event, meticulously organized by his overseas team led by Sonie and supported by his Liberia-based manager, Robert Zokar, with reliable business partners, stands as a benchmark in the history of Liberian music events in the diaspora. Selling out eleven venues with no dull moments proved that CIC’s music catalog is as secure as the American reserves. The Commander-in-Chief is a musical icon without a bad song; his music transcends eras, blending the inception of his career with the new school.
While his peers desperately chased collaborations with international artists, CIC remained a Local Champion. This distinctive attitude led to him effortlessly performing alongside multiple award-winning music producer and Chocolate City lead artist, Young Jonn. CIC didn’t roll in the mud for such a spotlight—Young Jonn himself was glad to share the stage with a Liberian superstar. This is a clear indication that Liberian music resonates with audiences beyond the Liberian community abroad and at home.
CIC is exactly who he believes he is. The 001 debate is now laughable because CIC cannot be boxed in or defined by a single title. He is not just a big picture in the Liberian music industry—he is the entire gallery.
With his successful U.S. tour behind him, what’s next for the Artist of the Year? CIC is set to give his fans a grand homecoming. On December 20th, he will host a concert at Sent Club, coinciding with the release of a brand-new song. What a way to conclude a victory run! A great warrior doesn’t fight every battle; his powerful name alone keeps the people singing his praises and his rivals at bay.
There is no sign of weakness—this is the story of Cralorboi CIC, Liberia’s undisputed musical giant.
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